It's like an artistic attempt at conveying the original, and not a copy, so there's inherit failure to it.' The cover for Replica is a 1936 illustration by from the pulp magazine, depicting a skeletal looking at himself in a mirror. Lopatin attributed the title to 'the idea of the replica in culture as a way we deal with the decline of knowledge, or human knowledge going to waste because we're not immortal.īut it's not a solution, it's just a way of coping with those mysteries.
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Lopatin focused particularly on 'strange pauses and little incidental sounds' found in the commercials to use as samples. His production process involved opening several music players simultaneously to listen to several sounds in tandem, which he described as 'raw listening and sketching'. Lopatin described the album as having 'as much to do with environmental, broadcasted, and club sounds as it does with more direct musical influences.' Asked why he opted to use commercials as sample sources, Lopatin described his process as 'looking for old things that are meaningful' then 'restructuring and rearranging it to interfere with the original narrative and creating this new poetry.'
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Upon release, Replica received positive reviews from music critics and subsequently featured in the year-end lists of the best albums of 2011 by several publications, including, and.įinding Nemo Movie Free Download In Hindi Hd. Recorded with producers Joel Ford and Al Carlson, the album marks a stylistic shift from Lopatin's previous works under the alias, instead featuring a -based approach utilizing audio procured from 1980s and 1990s.
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Replica, from Oneohtrix Point Never is an electronic song cycle based around audio procured from TV ad compilations.